mechaphil wrote:
Last movie I saw was Black Swan. Not the best Aronofsky film, but definitely top 3 (and really, it's gonna be hard to top the minimalist genius of Pi or the emotional upheaval of Requiem For A Dream). Typical crew on it - Aronofsky directing, Clint Mansell doing the score, Matty Libatique holding down the cinematographer's chair. Score, like preview Mansell scores, really enhances the film and (like Zimmer's Inception score) can totally take over the theater.
Great acting from Natalie Portman, Vincent Cassel, and Mila Kunis. Script is pretty good but suffers from a trademark of Aronofsky's which usually enhances his films but detracts in this instance - the emotional scope of the film beats you over the head. A little subtlety would go a long way in this case. Me personally, I really dug the unrelenting pressure and emotions in Black Swan.
Also, squeamish folks need not apply - this film has a fair amount of body horror.
Actually saw it last night. As the credits rolled at the end, my wife said, in sarcasm, "what a surprise, they're all men's names". She thought it was a misguided male perspective of what it's like to be a woman. When I pressed her a little more, she admitted she liked it. But I get her point, it presents a pretty catty and appearance-focused presentation of "woman".
That said, it was OK. I was expecting to be a little more titillated by the lesbian sex scene. Don't take a date hoping to get lucky afterward, because as Phil says, there are plenty of disturbing images.